Grand Central Terminal is one of two magnificent train stations that
were built in New York in the heyday of railway transportation. The
other, Penn Station, was demolished in the 1960s.
The monumental railway station was constructed in 1903-1913 for the New
York and Harlem Railroad company. It is a grand Beaux-Arts building
which serves as a transportation hub connecting train, metro, car and
pedestrian traffic in an efficient way. It has 67 train tracks on two
different levels.
Penn Station
The other, even grander railway station - Penn Station - was built in
1902-1911 after a design by Charles McKim. In an act of vandalism, the
monumental landmark - which was modeled on the ancient Baths of Caracalla in Rome - was destroyed in 1963-1966 and replaced by a banal railway station and office tower.
Grand Central Terminal almost suffered a similar fate but thanks to New York City's new landmark preservation laws - implemented in part thanks to the outcry over the demolition of Penn Station, the building was able to escape the wrecking ball.
Grand Central Terminal almost suffered a similar fate but thanks to New York City's new landmark preservation laws - implemented in part thanks to the outcry over the demolition of Penn Station, the building was able to escape the wrecking ball.
The First Grand Central Station
The current Grand Central Terminal was not the first railway station at 42nd Street and Park Avenue.
As early as in 1863 Cornelius Vanderbilt, known as 'the Commodore'
consolidated railroad lines including the Harlem Railroad and New York
Central Railroad. As a result of the consolidation the need for a large
railway station soon became apparent.
In 1869, Vanderbilt commissioned architect John B. Snook to build the largest railway station in the world on a large property at 42nd Street. The resulting station, named Grand Central Station, featured a large glass and steel train shed, 650ft long, 200ft wide and 100ft high (198 x 60 x 30 meters). But increasing traffic and the smoke from the steam engines obscured vision in the Park Avenue tunnel, causing an accident in 1902. Seventeen people were killed and a public outcry called for electrification of the railway system. This resulted in a new state law requiring that steam engines would not be allowed in Manhattan, starting in 1910.
In 1869, Vanderbilt commissioned architect John B. Snook to build the largest railway station in the world on a large property at 42nd Street. The resulting station, named Grand Central Station, featured a large glass and steel train shed, 650ft long, 200ft wide and 100ft high (198 x 60 x 30 meters). But increasing traffic and the smoke from the steam engines obscured vision in the Park Avenue tunnel, causing an accident in 1902. Seventeen people were killed and a public outcry called for electrification of the railway system. This resulted in a new state law requiring that steam engines would not be allowed in Manhattan, starting in 1910.
A New Railway Station
Shortly after the accident, the New York Central Railroad proposed plans
for a new, larger Grand Central Station. The costly electrification and
construction of the new railway station was compensated by the use of
air rights: Electrification made it possible for the tracks to be
covered and paved over all the way to 49th Street. Developers were
allowed to construct buildings on top of it, but had to pay an extra sum
to the railway company, the so-called air rights. Even the air on top
of low-level buildings can be sold this way so that taller neighboring
buildings are allowed.
In 1903 a competition was held for the design of the new Grand Central. The firm of Reed and Stem was chosen. William K. Vanderbilt II, one of the descendants of the 'Commodore'
In 1903 a competition was held for the design of the new Grand Central. The firm of Reed and Stem was chosen. William K. Vanderbilt II, one of the descendants of the 'Commodore'
asked Warren and Wetmore to collaborate with Reed and Stem. While the
latter were responsible for the overall design and layout, Warren and
Wetmore were responsible for the architectural details and Beaux-Arts
style.
Terminal City
The project included not just the new railway station, but a whole
complex with office buildings and apartments, which became known as
'Terminal City'. This was a 'city in the city' complex, similar to the
concept of Rockefeller Center,
created several decades later. Special attention was paid to the
circulation of traffic. Pedestrians and cars are separated by special
elevated ramps - the so-called Park Avenue Viaduct - which lead the cars
around the railway station.
Construction of the new station, now known as Grand Central Terminal, lasted ten years and cost eighty million dollars. In the process, 180 buildings between 42nd and 50th Street, including hospitals and churches, were demolished. The railway station officially opened on Sunday February 2, 1913. But it would last until 1927 before the station was fully operational.
Construction of the new station, now known as Grand Central Terminal, lasted ten years and cost eighty million dollars. In the process, 180 buildings between 42nd and 50th Street, including hospitals and churches, were demolished. The railway station officially opened on Sunday February 2, 1913. But it would last until 1927 before the station was fully operational.
A Grand Design
The building's facade on 42nd Street has a true
Beaux-Arts design. Large arches flanked by Corinthian columns are topped
by a large sculpture group designed by Jules-Alexis Coutan. The 50ft /
15m high group depicts Mercury (the god of commerce) supported by
Minerva and Hercules (representing mental and moral strength).
Inside, the main concourse is most impressive. It is 470ft long, 160ft
wide and 150ft high (143 x 49 x 43 meters). The ceiling was painted by
the French artist Paul Helleu. The design with zodiac constellations was
taken from a medieval manuscript. It is painted backwards, alledgedly
so that the stars are shown as they would be seen by god, not by man.
Light enters the main concourse through six 75ft / 23m high arched windows. The western double staircase in Botticino marble was designed after the large staircase in the Opera Garnier in Paris. It connects the main concourse with the entrance on Vanderbilt Avenue. The floor of the concourse is of Tennessee marble, the walls of Caen stone.
Light enters the main concourse through six 75ft / 23m high arched windows. The western double staircase in Botticino marble was designed after the large staircase in the Opera Garnier in Paris. It connects the main concourse with the entrance on Vanderbilt Avenue. The floor of the concourse is of Tennessee marble, the walls of Caen stone.
Redevelopment
In 1994, the firms of LaSalle Partners and Williams Jackson Ewing were
chosen by the Metropolitan Transportation Authority (MTA) to redevelop
Grand Central Terminal.
The firms were chosen for their successful renovation of another Beaux-Arts icon, the Union Station in Washington DC.
The MTA's goal was to increase revenue while restoring the building's former grandeur. This was achieved by renovating the large public areas, removing former alterations (like lowered ceilings), adding a new entrance and creating a retail mall and food court, similar to the renovation project in Washington DC.
During the 197 million dollar restoration process, a large iron eagle was added on top of the new Lexington Avenue & 43rd Street entrance. This eagle once adorned the first Grand Central Station in 1898.
The firms were chosen for their successful renovation of another Beaux-Arts icon, the Union Station in Washington DC.
The MTA's goal was to increase revenue while restoring the building's former grandeur. This was achieved by renovating the large public areas, removing former alterations (like lowered ceilings), adding a new entrance and creating a retail mall and food court, similar to the renovation project in Washington DC.
During the 197 million dollar restoration process, a large iron eagle was added on top of the new Lexington Avenue & 43rd Street entrance. This eagle once adorned the first Grand Central Station in 1898.
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